Wednesday, December 29, 2010

Maureen Dowd on Patti Smith's Just Kids

Maureen Dowd dedicated her Christmas Day column to Patti Smith's recent National Book Award-winning memoir.
For anyone who has had a relationship where the puzzle pieces seem perfect but don’t fit — so, all of us — “Just Kids” is achingly beautiful. It’s “La Bohème” at the Chelsea Hotel; a mix, she writes, of “Funny Face” and “Faust,” two hungry artists figuring out whom to love, how to make art and when to part.

It unfolds in that romantic time before we were swallowed by Facebook, flat screens, texts, tweets and Starbucks; when people still talked all night and listened to jukeboxes and LPs and read actual books and drank black coffee.

Smith describes the wondrous odyssey of taking the bus from South Jersey and meeting a curly-haired soul mate who wanted to help her soar, even as the pair painfully grappled over the years with Mapplethorpe’s sexuality and his work’s brutality.

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